Sports Then and Now

Like a hardened tree, Pancho Gonzalez exhibited the posture of resistance.

Not far from my place, there stands an old windswept pine, so hardened by the elements that even on a calm day it exhibits the posture of resistance. It seems unrelenting in its refusal to bow.

More than once, the old tree has symbolized for me the human traits of stubbornness, perseverance, endurance and toughness. Its sinewy skin and tightly-clenched roots tell of a life filled with challenge and pain. Yet it still stands there in defiant victory.

That sun-bleached, aged pine has not merely survived…it has actually thrived. The perplexity of that thought has often brought to mind a particular person. As I set about to research this story, it became clear that my subject was one such person.

Ricardo Alonso Gonzalez, the son of Mexican immigrants, faced the winds of adversity from the onset of his tennis career.

As a young minority teen-ager in 1940s Los Angeles, he was shunned by the upper levels of society. Gonzales often spent time watching tennis enthusiasts unwind at neighborhood parks and public courts.

He was intrigued by the combination of power and finesse that tennis required and would emulate the moves he so diligently observed through the fence. Thus was laid the self-taught foundation of Pancho Gonzales’ fabulous career.

Tennis became his obsession and predictably, his studies and social skills suffered. Truancy and trouble with the law soon followed. Then, a year of juvenile detention.

Though his talent was by now undeniable, his rowdy reputation and cultural roots ensured his exclusion from LA’s upper-crust tennis clubs.

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Maria Bueno won seven Grand Slam singles titles.

You are ice and fire with a touch that burns my hands like snow—Amy Lowell

Maria Esther Andion Bueno rose to the top of women’s tennis in the ’50s and ’60s, employing her natural ability to carve a unique mark on the women’s game.

Bueno grew up during an era prior to the movement known as women’s liberation.  Back then she was a novelty—a woman born with natural athletic gifts who lived to find and fulfill her destiny.  Such a feat was rare in those days because even superlative women often remained wedged in their seats at the back of the bus.

Remarkably, Bueno won seven grand slam singles championships, three Wimbledons, and four U.S. Open titles, 11 doubles championships with six different partners, and one mixed doubles title with partner Bob Howe at the French Championships in 1960—for a total of 19 grand slam crowns.

She was ranked in the top 10 in the world from 1958 through 1960 and then again from 1962 through 1968.  She held the No. 1 ranking in 1959, 1960, and in 1964.

Bueno, born on Oct. 11, 1939, resided in Sau Paulo, Brazil.  Her father and mother both loved and played tennis socially.  The family lived modestly in comfortable middle class society in a home directly across the street from a tennis club facility.

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Women's Professional Tennis is what it is today thanks to Billie Jean King

A tribute to a personal heroine who celebrates her 66th birthday on 22nd November.

A first impression

What was it about one particular woman, wielding her wooden racket in the black and white world of 1960s television, that imprinted itself in this fan’s memory? She came from another country, and she played a game I had barely learned to understand, let alone master.

To me, she looked middle-aged even though still in her early 20s. She was ordinary in appearance but unusual in demeanor.

I knew nothing of her background nor of her achievements in tennis—other than she had just beaten the homely, and British, Ann Jones. But once I heard her name, I never forgot it.

Billie Jean King.

Her story has been simmering in the bloodstream ever since, because her name takes me back to my very first monochrome memories of tennis and of Wimbledon—for it was only Wimbledon that made its way into British living rooms back then.

These were impressionable years for a girl heading towards adolescence. It was the uncomfortable realisation that my mother seemed quite embarrassingly enamoured of the Santanas and Newcombes. It was also the uncomfortable realisation that King was being undermined by that mother’s slights about her appearance, her manner, and her attitudes.

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Evonne Goolagong claimed seven Grand Slam titles during her career.

Evonne Goolagong can be described in mathematical terms.

Parallels and angles. Circles and singularities (a situation that is completely unique). Chaos versus The Metronome.

She will be forever remembered as a seven-time Grand Slam winner: four Australian Open, two Wimbledon, and one French Open title(s).

She was a contemporary of Jimmy Connors. (Jimbo was born Sept. 2, 1952, Evonne on July 31, 1951), and her career paralleled his in its dramatic jump-start.

In 1970, at age 18, Connors recorded his first significant victory in the first round of the Pacific Southwest Open in Los Angeles, defeating Australian tennis legend Roy Emerson.

Goolagong came out of nowhere to win the 1971 French Open at the age of 19 and then shocked the world again a month later when she routed her idol, fellow Australian Margaret Court, 6-4, 6-1, to win her first Wimbledon title.

1971 was the year that Love Story was No. 1 at the box office (in the US at least) and “Joy to the World,” by Three Dog Night was the No. 1 song. It was also the year that the Pentagon Papers were leaked to the New York Times and Apollo 14 landed on the moon.

1968, three years before, was a seminal year in the annals of tennis. It was the moment (March 30) that saw the birth of the “open” era, where professionals were allowed to compete in the majors—the beginning of modern tennis.

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Maureen Connolly won nine of the 11 Grand Slam tournaments in which she competed.

“There is nothing like competition. It teaches you early in life to win and lose, and, when you lose, to put your chin out instead of dropping it.”

— Maureen Connolly

Although her career spanned just a little over four years, Maureen Connolly’s reign at the top of women’s tennis was one of the game’s most dominant.

Like many little girls growing up in America, Maureen Catherine (“Little Mo”) Connolly loved horses. She wanted a horse of her own and she wanted to learn how to ride. But family circumstances prevented Mo’s mother from being able to afford to give her little girl riding lessons.

Instead, her mother bought her the tennis racket she desired and enrolled her in lessons. Because of that, Maureen Connolly became a tennis player—perhaps the greatest tennis player her sport has ever known.

Growing up in California aided her development, as, in San Diego, weather was hardly ever an issue. At the tender age of 10, she learned to play on the municipal courts of the City of San Diego, where her first coach, Wilbur Folsom, encouraged the young Connolly to switch from a left-handed grip to a right. Connolly was a natural left-hander.

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Bjorn Borg was the face of tennis in the late 1970s.

For Bjorn Borg, the summer of 1980 was a time of highs and lows, of thrilling victory followed by stunning defeat.

His holding pattern persisted, as Borg, who won three consecutive doubles at the French Open and Wimbledon, lost his bid again for a chance at a calendar-year Grand Slam at the conclusion of 1980’s season in the sun.

During that sultry summer, two men met on fateful Sundays in July and in September to tighten the screw on Borg’s legacy. After 10 U.S. Opens, Borg sensed that his time to win this elusive Grand Slam was slipping away. He looked across the net at the up-and-coming John McEnroe and felt his tennis future fading.

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